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Monday, August 31, 2009

What are our tools in night photography?

  1. Tripod. While not always necessary (see further on for how to cheat on this), a tripod will give you the greatest flexibility to get the angles you need while keeping your camera steady for those long exposures.
  2. Wide-angle lenses. This is a personal preference, but I love the way they work in night photography. Try it out with whatever you’ve got as the only thing that will limit you is your imagination.
  3. A lens hood. To minimize lens flares from light entering at angles outside of your frame.
  4. A flashlight. Sometimes you’ll want to draw attention to or simply lighten up an important part of the foreground which is too dark.
  5. Our imagination. Tools lie all around us in everyday objects to help us make our work better in this; I’ve used bicycle lamps, lampposts and newspaper boxes to get it done.

PIC SAMPLE :

night-photography-2 night-photography-1


Fabulous Photos of a Rainy Day ":

Many people’s first thought when they see it raining is to put their camera away - however Stormy and rainy days are some of the biggest chances to shoot moody atmospheric images.

People struggling with the wind, wrestling with umbrellas, obscuring the face with their jacket, jumping or running around like they are being chased by blood-sucking aliens…. I tell you : When it really rains down you have an exciting and rare theater right before you waiting to be shot by a photographer!

1968006486_787ebc06f6 “rain stroll”

rainincracow “Rain in Cracow”

coldrain “cold rain”

wetstone “Wet Stones”


Long Exposure Photography: 15 Stunning Examples :

Long Exposure Photography is something that can take your breath away when you get it right. Here are some shots to get you inspired (plus some tips below the pics on these techniques).

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17 Amazing Wide Angle Images :

Nie plk contoh pic yg diambil based on WIDE ANGLE

Enjoy…

wide-angle-lens-16 Car

wide-angle-17Face Impression

wide-angle-lens-2-1Bridge

wide-angle-lens-11-1Building

wide-angle-lens-13-1Cat Impression

wide-angle-lens-1-1Traffic Light

wide-angle-lens-3-1Dog.

wide-angle-lens-4-1 Lake

wide-angle-lens-5-1 Boat

wide-angle-lens-7-1People

wide-angle-lens-8-1 Bridge(2)

wide-angle-lens-9-1Church

wide-angle-lens-10-1Tractor

wide-angle-lens-12-1Cock

wide-angle-lens-14-1Baby

wide-angle-lens-15-1Car(2)


10 Tips For Great Telephoto Photography :

1. Use A Tripod For Sharp Photos :
By and large the vast majority of subjects photographed with telephoto and super telephoto lenses need to be tack sharp. Due to the narrow field of view and magnification of telephoto lenses ever so slight movements have an amplified impact diminishing image sharpness. The first thing you can do to ensure that you’ll capture sharp images is to use a tripod and a tripod head that can support the weight of your lens & camera. While this isn’t the only step to take to ensure sharp photos it is the essential first step. Using a tripod or even a monopod will also save your back and arms from unnecessary pain and fatigue.

2. Use A Shutter Release :
Any movement is amplified when looking through the view finder of a camera using a telephoto lens. The simple act of pressing the shutter on your camera will cause even a tripod mounted camera and lens to shake when photographing a distant subject. To minimize camera shake use a shutter release. Quite simply a shutter release is a shutter release button on an extension cord. Minimizing movement of your camera and lens while mounted on a tripod will reduce unintended bluring of your photo.

Bonus Tip:
If your camera has a Mirror Lock-up function this in addition to the use of a shutter release will remove much of the mechanical vibration your camera itself can create. The mirror in the camera box of your dSLR allows you to see from the viewfinder out your lens. When you trigger the shutter the mirror will flip up out of the way so that light coming through your lens hits the sensor or film in your camera body. Mirror Lock-up will prompt you to trigger the shutter twice, first to move the mirror into a ready position and second to open the shutter. After the first trigger of the shutter you should wait 2-5 seconds for the internal mechanics of your camera and resulting vibration of your camera to settle to the point of being still before you trigger the shutter a second and final time.

4. Telephoto Effect - Bringing Far and Near Together :
Telephoto lenses have a unique optical effect in that they flatten scenes with great depth. Fittingly this is referred to as a Telephoto Effect. Making use of this effect can be very useful in composing graphically striking subjects and scenes. Unlike shorter focal length lenses that can provide a great deal of depth to a scene the flattening of a scene with the use of a telephoto lens can give the illusion that multiple subjects separated by great distances are actually very close. This effect can generate a great deal of impact with viewers.

Perigee Moon & California Oak

5. Tightly Frame Your Subject :
The most obvious use of a telephoto lens is to magnify a subject so as to close the distance between you and what you’re photographing. This can be of extremely valueable if you’re photographing wildlife and would like to get closer with out putting your life at risk. Beyond wildlife using a telephoto lens give you creative license to get extremely close to your subject in some instances. This is particularly useful in highlighting details that would otherwise be lost with shorter focal length lenses.

Sea Otter Portrait

6. Isolate Your Subject :
Telephoto lenses are great to more distinctly isolate your subject. While this can be done with shorter focal length lenses telephotos enable you to have greater reach to subjects that might be too far off otherwise. This is a middle ground use of telephoto lenses where you’re not looking to crop in too tightly or close the gap between subjects that are far apart.

Bridalveil Fall After Snow Storm, Yosemite

7. Make Use of Ultra Shallow Depth of Field :
Telephoto and Super-Telephoto lenses share an optical characteristic that can produce very shallow planes of focus. As a result an often discussed secondary characteristic of long lenses, Bokeh, is the optical signature of out of focus portions of a photograph. Use of shallow depth of field can provide a non-distracting background to your subject enhancing perceived focus and its isolation from competing background elements. Understanding how Bokeh will look from one lens to another will enhance your ability to produce the highest quality image. White-headed Capuchin monkey with Baby

8. Think Macro Photography :
If you’re not into photo yoga an alternate way to shoot macro photography is to use a telephoto lens. Extension tubes in combination with super telephoto lenses shorten the closest focusing distance of a lens. Working with a larger lens will not give you every vantage point that a smaller lens can provide, but it will enable you to obtain other unique perspectives all while saving you from getting your pants dirty.
8_jim_goldstein_NAT_GNP_JMG3410

9. Panning for Action :
Panning with a telephoto lens can provide high impact photos of almost any moving subject. Maintaining a sharp subject can be tricky requiring some practice. The added dimension of motion blur bring telephoto and super telephoto lens photos to life. This is a perfect technique for wildlife and action subjects alike.

Sneak Pass at Blue Angels Fleet Week Performance In San Francisco

10. Experiment with Astrophotography :
With a big enough lens your camera can become a low power telescope. Photographs likely won’t be in the exact same class as a true astrophotography taken with a telescope, but you’ll certainly get eye catching photos none-the-less. The key to successfully using telephoto lenses for astrophotography is:

1. Setting up in an area where there is little light pollution
2. Use of a tripod
3. use of a cable release.

The slightest vibration will be enough to blur a photo with a long lens so special care should be applied to avoid this. For greater drama in post-production with a high enough resolution sensor you can crop down your image while maintaining mouth dropping detail.Full Moon at Perigee


How to Use Sunset Light to Light Portraits..

Slmz…

Rase dh lama sgt2 x update ttg DSLR news..hu3..

So 2day nk update sket ttg my luv DSLR…hu3

1. Front Light:

Place your subject facing the light. Shoot facing your subject with your back to the light. The light will brightly illuminate your subject, bringing out stunning catchlights. Take note: if the light is too bright for your subjects eyes, simply have them close thier eyes until you are ready to snap the shot - and make that moment count.

sunset-1-front-light

2. Side Light:

Turn your subject so that only one shoulder is facing the light. Then turn thier face 3/4 degrees into the light. This side angle will give you soft transfer edges between the highlights and shadows. This lighting will also add depth to your portrait. Shoot facing your subjects lit shoulder. sunset-2-side-light

3. Back Light:

For a most unique and artistic shot, place your subject with thier back to the setting sun. On Manual mode, overexpose the portrait so your subject is evenly lit. Remember this will cause your background to be overexposed and your highlights will be blown out. sunset-3-back-light

4.Rim Lighting

When light comes in at an acute angle it can create highlights along the edges of your subject. The stark contrast that it provides highlights shape and form. This type of lighting adds impact to macro, wildlife, nature and fine art nude photography

.The Golden State

5.Ambient Light

Ambient light is non-direct soft lighting that often is bounced from one surface to another. As a result of the non-direct lighting, brightness of your subject is lower than with other types of lighting. In fact this type of lighting often tricks people the most as we seldom think about it consciously. Most photographers might just ignore it looking for other types of lighting. Ambient light works well for a variety of photographic genres particularly landscape photography.

In Line, The Wave

6.Soft or Diffuse Light

Soft light is diffuse providing lighting that is even. This type of lighting reduces contrast and minimizes shadows. Soft light is excellent for portraiture, macro, and nature photography.

Endless

7.Hard Light

Hard light is quite direct and can often be intense in brightness. This type of lighting creates strong shadows and high contrast. Highlights can be quiet intense under Hard lighting conditions so special care should be made with ones exposure. Hard light can be stylistically applied to most any photographic genre, but for many eyes it can be less appealing than other types of lighting.

Mavericks Surf Contest 2006 - Big Wave Surfing

8.Spotlight

Very simply Spot Light is when a focused amount of light highlights a particular section of your subject or scene. This type of lighting can create strong shadows and contrast. Spot light can add dramatic impact to all genres of photography.

White Sands Monsoon Reflection II

9.Artificial Lighting

The most obvious type of lighting is Artificial lighting. This can be generated from a variety studio lights, and built in or external flash units. There are few genres of photography that Artificial lighting cannot be used successfully. Artificial lighting provides a lot of flexibiltiy and creative opportunities. If interested in learning more about artificial lighting techniques check out the Strobist web site

.Icer Air - Danny Mayer

10.Various Combinations of Lighting

Lastly there is the combination of any or all of these types of lighting. There is no rule that states you have to live with just one form of lighting. Creatively lighting your subject is an integral part of the photographic process.

Now that these various types of lighting have been called out, as you look at photos you like or as you go out to take new photos, keep this information in the back of your mind. Ask yourself what is the lighting that makes this image I’m viewing or about to take so appealing? Study and learn the lighting and soon you’ll find this knowledge filtering into your work both consciously and unconsciously. Setting up and/or finding the right light will help you accentuate your subject and create images with greater impact.

Grand Central Station